Torchwood: Visiting Hours


*World Enough and Time Cybermen walks in* PAIN PAIN PAIN PAIN

Visiting Hours by David Llewellyn

Visiting Hours is good, certainly, but it does feel like it has quite a few missed opportunities, and it feels definitively unresolved. Visiting Hours delves into the area of medical horror, which seems like something Torchwood would love doing, but Visiting Hours almost goes out of it's way to ignore it, compared to a story like Dissected, which does the exact opposite. No, most of Visiting Hours is Rhys and nobody's guess for the next Torchwood character to appear in audio, his mum, Brenda, running away from two people who have been ordered to kill them. Brenda is remarkably fun, though, she is sassy and Evelyn-esque.
Throughout the story we get tantalysing bits of a larger narrative, but it makes the astonishingly weird choice of having all of the villains be Doctors from the past in the 1950s? Perhaps this ties into the Committee arc, I mean, maybe after Ghost Mission had Norton Folgate doing somthing similar, but if so, it's rather lazily integrated. The whole story would have been much improved if it had gone down the Countrycide route and truly attempted to traumatize it's audience, that anyone could disappear from a hospital in the middle of the night and be unnoticed, but somehow having killer robots from the future as well as dudes from the 1950s running about decreases the real scary edge a piece like this needs to have. Also another choice is for absolutely nothing to be revealed about the Cleaners, which would work if we had nothing but a small piece of knowledge that they clean up dead bodies in the night and are killer robots. It's trying to go for the less is more aspect of horror, but for that to work, you need a tantalysing bit for the audience to hold onto, especially since it's audio, the Cleaners are a complete non-presence compared to the actually quite terrifying two random 50s guys. It almost seems like a last minute addition the baffling fact that THEY'RE FROM THE NINTEEN FIFTIES however in their dialogue. I can't believe what I'm saying, but remove the sci-fi angle, and you have utter magic in this script. As it is, it's weird. 
The highlight of the story is Rhys stumbling onto the operating table, but it never reaches that high again. It's not bad, may be worth a listen from time to time, but compared to the overwhelming quality of this range in general, it feels to me like yet another story I may forget about. 5/10

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